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Nora N. Khan is a curator, editor, and writer of criticism on digital visual culture, the politics of software, and philosophy of emerging technology. She is the newly appointed Executive Director of Project X for Art and Criticism, publishing X-TRA in Los Angeles. She will be the next Curator for the next Biennale de L’Image en Mouvement in 2023, with Andrea Bellini, hosted by Centre d’Art Contemporain Genève. She curated Manual Override at The Shed, featuring Sondra Perry, Morehshin Allahyari, Lynn Hershman Leeson, Simon Fujiwara, and Martine Syms.  Khan’s short books are Seeing, Naming, Knowing (Brooklyn Rail) on the logic of machine vision, and Fear Indexing the X-Files (Primary Information), co-written with Steven Warwick. She frequently publishes in publications like Artforum and Art in America, and has written commissioned essays for major exhibitions at Serpentine Galleries, Chisenhale Gallery, and the Venice Biennale. Her practice extends to a wide span of artistic collaborations, producing scripts, librettos, films, and a tiny house (in A Wild-Ass Beyond: Apocalypse RN, with Sondra Perry, American Artist, and Caitlin Cherry at Performance Space, New York).