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Press Release

Honor Fraser is pleased to present Future Sensitive, a solo exhibition of short films, soft sculptures, and kinetic installations by the filmmaker and body architect, Lucy McRae. An opening reception will be held on Saturday, October, 1 between 2 and 5 PM. Please join us on October 1 at 3PM for a gallery walk-through with Lucy McRae and SFMoMA curator of architecture and design, Jennifer Dunlop Fletcher.

Lucy McRae’s genre bending, science fiction films and installations gesture to a speculative, not-so-distant future where advanced genetic engineering will enable humans to be grown in laboratories outside of the womb. The exhibition spotlights McRae’s dynamic capacity for world-building, and brings together a selection of her recent projects to ask how future technologies of design will fundamentally alter entrenched notions of human intimacy, reproduction, spirituality, and wellness. Can our technologies be more than a quick fix, and instead help us find strength in our imperfections? Can sensitivity be a guiding principle as we dream about the future? Future Sensitive cultivates these questions and asks us to trust in the unknown as we pioneer new aesthetics, new stories, and new ways of being together in the world.

Future Sensitive spills across the galleries at Honor Fraser with the uncanny patina of a world not quite our own, and yet one hauntingly familiar. For the first time in North America, McRae’s films are exhibited within an installation of sculptures, machines, and other speculative designs used during filming and production. The exhibition marks a significant milestone in the artist’s internationally distinguished career, and debuts the world premiere of two short films, Futurekin (2022) and Delicate Spells of Mind (2022). Visitors to the gallery are invited to explore the installation as protagonists in McRae’s future world, using the artworks as scaffolding for their own embodied contemplation. In this post-human landscape, already existing “low-tech” and industrial materials—vacuum cleaners, roller skate wheels, camping equipment, blow-up fans, construction straps, and plastic tarps—are reconfigured into Sci-Fi objects for future survival. Hanging nets, gymnasium-like floor coverings, and other subtle architectural interventions mimic the calculated compositions that McRae uses within her films, and guide visitors towards an increased awareness of their own bodies as they interact with the speculative material.

The three films on display, Futurekin, Delicate Spells of Mind, and Institute of Isolation (2016), are futuristic renderings of daily life that are both spectacular in their banality and brazen in their examination of human hardwiring. Adorned in the industrial exoskeletons of future fashion, specters of our future selves are momentarily caught in acts of labor, vulnerability, and reciprocity. The three films forecast an already evolving human spirit and chart these changes across collective networks as well as individual actors. McRae appears in each film as a conduit between worlds. At times she moves freely, even with authority, but at others she is made immobile and subject to the generosity and care of those around her. As a character in her own thought experiment, McRae’s fluctuating subjectivity invites us to reconsider the solution-oriented rhetoric that dominates the discourse of technological innovation, and in so doing, champions messy models of solidarity over the rigid rubrics of technological perfection.

Lucy McRae (b. London) is a science fiction artist, filmmaker, inventor, and body architect. She is regarded as a pioneer who blurs the boundaries across art, architecture, design, and technology with a healthy disregard for labels that limit interdisciplinary practice. McRae has exhibited at art museums, film festivals, institutes, and science forums across the world including MIT, Ars Electronica, and NASA. Selected major artworks have been exhibited at the Venice Biennale, NGV, Science Museum London, Centre Pompidou and Milan Triennial. McRae is a visiting professor at SCI Arc in Los Angeles and is recognized as a Young Global Leader by the World Economic Forum. McRae encourages scientific conversation and has spoken at TED, Royal Albert Hall, Cannes Lion and Tribeca Film Festival.

The artist would like to thank the following collaborators:
Jasmine Albuquerque, Andrea Bess, Joep Beving, Drew Bienemann, Attilio Bonelli, Amiee Byrne, Scottie Cameron, Ryan Carmody, Sara Clausen, Catherine Cooper, Shauna Davis, Crimson Edge, Raymond Ejiofor, Luciana Ellington, Thomas Ermacora, Ariel Fisher, Evelyn Garcia, Daniel Gower, Machine Histories, Anjia Jalac, Tina Joyner, Steven Joyner, Maija Knapp, Vijaya Kumari, Audrey Levan, Aaron Lieber, Karine Maciel Arroxellas, Daniel Mayfield, Nicole McDonald, Alucard Mendoza McHaney, Reef Oldberg, Alice Parker, Rhoda Pell, Christian Pepper, Jason Pilarski, Claudia Schnugg, Lotje Sodderland, Ryan Spencer, Onyx Tahash Long, Nina Tahash Long, Nectar Tahash Long, Jupiter Tahash Long, Ty Wells, Samantha West, Brandon Winters and May Xiong

The artist would like to thank the following commissioners:
La Biennale Di Venezia; Hashim Sarkis, Singapore International festival of Arts; Natalie Hennedige, Haus der elektronischen Künste (HeK) and MU Hybrid Art House; Sabine Himmelsbach, Angelique Spaniks, Ariane Koek, Boris Magrini; Ars Electronica, S+T+ARTS; Design Museum Holon; Aric Chen, Maya Dvash

With generous support from:
SCI_Arc; Hernan Diaz Alonso, Creative Victoria and Future Sensitive, Inc.

Special thanks to our exhibition partner DANVAS and the Honor Fraser Gallery staff:
Jamison Edgar (director), Autrina Maroufi, (gallery assistant), Harper Ainsley (operations), Michael Haight, Daniel Beckwith, Mike Chattem, and Jorge Mujica (exhibition preparators).

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